Sketching libraries and quick composition
30/11/19 12:19 Filed in: Creative Work
Are “sketching libraries” really useful to speed up composition? I’m not a great example of quick and fast productivity, but when writing tonally I like to start playing the piano. Considering how good modern sampled pianos are, I find it liberating to just return to my first instrument and let it help me drawing at raw lines my music.
The new tempo follow metronome in Logic is a revolutionary innovation for me, since I have all my creativity killed by playing on a metronome click. Having the metronome follow me is letting creativity flow freely, as one could do in the age of acoustic pianos, pencil and paper.
The piano sketch is a good place to work on melody, harmony, form. It's just two lines of music and some textual annotations. When done with the basic matters, you can start propagating your music to the other instruments, by copying&pasting or playing idiomatically the new lines.
But I admit that sketching libraries are also great. Not as straight as a piano, they let you write down more information on the first pass. I like Albion One for more booming music, Vienna Smart Orchestra for more classical. The Berlin Orchestra Inspire series should also work great. Orchestra sketching libraries are however already forcing one to follow their pace. String attacks may be too slow, and while you can adjust this with a controller (later or in realtime), here are you already and again facing detailed editing - the thing you were trying to avoid.
On the other side, sketching orchestras may offer you inspiration. I can't wait to try British Drama Toolkit.
The new tempo follow metronome in Logic is a revolutionary innovation for me, since I have all my creativity killed by playing on a metronome click. Having the metronome follow me is letting creativity flow freely, as one could do in the age of acoustic pianos, pencil and paper.
The piano sketch is a good place to work on melody, harmony, form. It's just two lines of music and some textual annotations. When done with the basic matters, you can start propagating your music to the other instruments, by copying&pasting or playing idiomatically the new lines.
But I admit that sketching libraries are also great. Not as straight as a piano, they let you write down more information on the first pass. I like Albion One for more booming music, Vienna Smart Orchestra for more classical. The Berlin Orchestra Inspire series should also work great. Orchestra sketching libraries are however already forcing one to follow their pace. String attacks may be too slow, and while you can adjust this with a controller (later or in realtime), here are you already and again facing detailed editing - the thing you were trying to avoid.
On the other side, sketching orchestras may offer you inspiration. I can't wait to try British Drama Toolkit.